Story as a language

Nearly all screenwriting instruction focuses on a definition-based approach to story structure. For example, many say that the Inciting Incident in a screenplay is “the thing that sets your story into motion."

But this leaves far too much room for uncertainty. There are endless possibilities for what could set your story into motion.

If we treat story structure like a language, we see that there is more than the definitions attached to story structure points. There is an entire world of experiential meaning. And after all, it is from experience that we first learn a language. And experiences are personal. They are definitive.

  • Function & Meaning

    I coach screenwriters with a process based on the idea that story-structure need not be simply an analytical process but an emotional one. To learn words in a language, we understand both the function and meaning of those words. What if story-structure was the same? What if we could become fluent in the language of storytelling?

  • Intuitive & Constructive

    I work from a knowledge that all writers exist naturally on a spectrum from Intuitive to Constructive. Both ends of this spectrum are needed to write a final draft, meaning that a writer ought to endeavor to be at the center of this spectrum as they work. Over four months, I coach Intuitive writers to use the skills they have naturally to become equally Constructive. With Constructive writers, I coach them in bringing out their intuition.

    WRITER TYPE QUIZ 
  • 3 Drafts in 4 Months

    With many writing coaches out there, writers come away with little more than a deeper understanding of their story, characters, or plot. With me, writers will go through three drafts over just four months - a rough draft, a second pass, and a polish. As a filmmaker myself, my commitment to those I work with is that they can do something with their script out in the world.